The New Kids on the Block!

Its been a crazy-busy few weeks for us in the Loom Lounge - but at this point, that seems to be the State of the Union for Erin and I in 2013.  I'm loving it and being this busy has me sleeping really well at night.


As Erin mentioned, we spent Memorial day weekend on a whirlwind road trip all the way up to PA and then back in 24 hours.

On the way up, we got to visit the Mannings Studio  where in my nerdy way, I felt compelled to hug a giant antique barn loom.

The loom was from between 1800 and 1830 and had about 99% of its original pieces still intact and functional. The reed had been replaced as well as a few of the joining pegs. But considering our modern looms lose parts like kids lose teeth, I think that this loom's condition continues to impress upon me the value of antiques and quality craftsmanship.

Obviously if a 180 year old loom is still going strong, those guys knew what they were doing.

My new loom (currently dubbed "Niles") is a 4 harness 6 treadle Nilus by LeClerc with a 36inch weaving width.

(That's Erin in the corner. She's reading the instructions for her new loom, a giant Macomber Loom --currently dubbed "Mac" or "May" depending on how cheeky we're being.)

On the floor in front of my loom you see several cones of cotton. I ordered cotton directly from Supreme down in NC - great customer service and phenomenal pricing and shipping times.

These aren't quite the colors I expected so - lesson learned: Buy a color card. Its worth the $10. :-/ However that did not stop me from winding a warp and beaming some towels.  I'm using a draft which is similar to a honeycomb. Its from the 7th or 8th Century and was found by historians/archaeologists near York England. Historically, these would have been made from linen instead of the cotton I'm using. I love the tie to history in these towels. This is a 4 yard warp. Some of these towels will be gifted as a wedding gift to a childhood friend. The rest I will sell.


Erin's new loom is pretty bad-ass.

She currently has 4 harnesses on the loom, but it is expandable up to 12 harnesses. The thing is massive and heavy. By the time we rolled up to the driveway at 2 am, I barely was able to haul MYSELF up the stairs to her house, so carrying her loom up was nearly impossible.

I'm still not sure how we would have gotten it into Erin's house had her hubby not been home and kind enough to help us. YEAH for Kent!

I am sad to say, however, that I failed in my friend-duties and didn't get a photo of  Mac. I did, however, get a great photo of her sleying her new loom with it's first project :)

And here's Erin's rescued and rehabbed older loom, BamBam. She's currently beamed with an overshot warp we're using as samples for our Fall teaching course. Erin's beamed with 5/2 cotton and using sock-yarn as weft. This was a really cool test weave for her as she had an "Ah Ha!" moment when the overshot just didn't look right to her. After some reading, she found out that the pattern weft (sock yarn) was just not the right weight. She ended up doing a little stash-busting to double-up her threads and the problem was solved.

We're going to wind a second of these warps to test the 8/2 cotton with sock yarn as pattern weft and see if that's a better fit for our class. :) Here's hoping!

And since I'd like to prove that I DO, In Fact, Spin:

This is a photo of the bobbin on my Canadian Production Wheel, Millie. I'm spinning white Shetland (with grey tips) from the lock. The locks are scoured, but I'm not even flick carding them open. I'm getting a semi woolen spin and its just sooo pretty. :)  I've since plied this into a 2 ply - hopefully photos to come. This yarn is not yet destined for anything in particular.

While on our road-trip, I convinced Erin to pull over at a local antique mall called Old Sled Works . It was a good place to stretch our legs, but would have been more fun if we weren't on such a time crunch.

Erin picked up a hand woven table runner.

And I saw this lovely tag:

The tag read "Old Loom $400."  I walked away laughing so loudly, Erin came over to inspect my mental health.  *Sigh* Muggles. :-/

The store was cool, though. They did have a corner in the back set up with a neat old fashioned soda fountain which was, sadly, closed.


So that's pretty much the state of the union around here.

Our Spring class is winding down -our students have done wonderfully and we'll say goodbye to them in just 2 days! But we've got some weaving demos and workshops this summer to keep us busy and in the teaching mindset.

I'll be participating in the Tour de Fleece here in just a few weeks. I hope to stash bust some of my embarrassing amount of Fiber.

And, meanwhile, Erin and I have enough projects to keep the looms going non stop. Darned that work and spinning and knitting getting in the way!!

Stubborn? Moi?

A few weeks ago I (Kerry) started to warp out what I am told is a very ambitious project - especially considering it is only my second attempt at weaving.

I decided that I was going to weave towels and hopefully gift a few for the winter holidays. And hopefully sell a few at some craft shows or on Etsy.

I did some mental polling and determined that I am, in fact, too lazy to do multiple warps to achieve a high volume of towels. What does that mean? If I want 10 towels, I'm only doing 1 warp, not 2 different ones. I am truly that lazy about this sort of thing.

So I then did the math and learned that 10 or 11 towels required about 12 yards of warp. So I began winding warp! And Winding. And Winding. And Winding. I managed to wrench my shoulder from so much winding. And got a kink in my neck until I fixed where the warping board was. Lots of winding = lots of learning.

We had a Loom Lounge day earlier this week and I started to sley my reed with all of this natural 8/2 cotton warp. The sley was 2-2-1 pattern which went very quickly and used up almost every dent on the reed, save a few on one side. I had a few bits of warp left over that didn't quite fit and they got set aside.

Yesterday (Saturday) I began to thread the heddles.

Being the lazy and often carefree crafter that I am, I didn't count a single heddle before weaving. So when Erin turned around about 1/3 of the way into my threading and said "Did you count your heddles?" I looked at her, scoffed/snorted, and replied with an amused "No."

I mean, why would I count my heddles? What in the world would prompt me to do such a thing? There were plenty for my LAST project. Why wouldn't there be plenty for THIS project? (For inquiring minds: the answer to follow in a later blog post.)

What a stupid question, Erin! It'll be fine! Thought I.

... yeah.

This post is renamed The Blog Post in Which Kerry Eats Crow. :(

Today please learn one thing. Learn to count your heddles.

For serious.

I got about 2/3 of the way through the threading and promptly ran out of heddles on shaft 1.

Erin was right. (As per usual.)

So with some Googling and YouTubing, I quickly learned the art of making string heddles. My understanding is that these hand tied heddles are traditionally used in an emergency repair situation where perhaps you've made a threading mistake and you do not want to un-thread 30 inches of warp for one string.

A special thank you to this particular video and this particular video which give two methods for creating string heddles.

Being my stubborn self, however, I was determined to not un-thread the warp and lose 2 days worth of work. I was determined to make this work. And if I had to tie on heddles, that's what I'd do.
I cannot afford to buy new heddles right this minute. And I couldn't wait on delivery time anyway. So I tied. And Tied. And Tied.
At the end of the warp, I must have tied 100 string heddles. It felt like I tied one thousand.

But the warp is on. And I tied it onto the back beam without any help. and I began winding without any help.

And then a thread broke.

And I ALMOST had a melt-down.

Erin was lovely enough to pause in her warp-winding to intervene and prevent the Great-Flood-O-Tears. She re-attached my thread, fluffed the warp, let me wind a bit while she found a good pausing point in her warp.

And she sat for all the remaining 11 yards. And she helped me wind that danged 12 yard warp onto my loom. And she laughed while I cussed and offered pointers for next time, and praised my ambition of a 12 yard warp.

The end of the night went a little longer than we both planned, but the end result is the warp is on the loom.

Let the Choir Sing! Hallelujah!

Tomorrow afternoon I will tie onto the front beam and then give a few test passes.

My greatest fear is that the hand-tied string heddles will not function correctly and that all of that work will have to be chalked up to 'practice.' (A four-letter-word in my book.)